[July 2006 journal entry]
The story/play opens with ‘God’ attributing integrity to Job. The prologue references to Job’s integrity appear to be tied to his allegiance to the ‘religious’ T/O paradigm. In other words, integrity in the prologue means being faithful to and consistent with the ‘religious’ T/O paradigm. The prologue also implies confidence -- over against the Accuser’s charge -- that ‘God’ too has integrity. The Accuser turns the assessment of Job’s integrity toward Job’s motivations. Job’s wife questions the integrity of the ‘religious’ T/O paradigm’s reassurance that all experiences are from ‘God’ and therefore, are ultimately good. (Macleish, in his award-winning Broadway play J.B., takes this position re Job’s wife.) Job responds to his wife by attributing evil as well as good to ‘God’. He does not deviate from the view that either ‘God’ causes evil or does not care that evil exists.
The story/play opens with ‘God’ attributing integrity to Job. The prologue references to Job’s integrity appear to be tied to his allegiance to the ‘religious’ T/O paradigm. In other words, integrity in the prologue means being faithful to and consistent with the ‘religious’ T/O paradigm. The prologue also implies confidence -- over against the Accuser’s charge -- that ‘God’ too has integrity. The Accuser turns the assessment of Job’s integrity toward Job’s motivations. Job’s wife questions the integrity of the ‘religious’ T/O paradigm’s reassurance that all experiences are from ‘God’ and therefore, are ultimately good. (Macleish, in his award-winning Broadway play J.B., takes this position re Job’s wife.) Job responds to his wife by attributing evil as well as good to ‘God’. He does not deviate from the view that either ‘God’ causes evil or does not care that evil exists.
